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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Prinda Setabundhu | - |
| dc.date.accessioned | 2024-07-17T02:42:02Z | - |
| dc.date.available | 2024-07-17T02:42:02Z | - |
| dc.date.issued | 2016 | - |
| dc.identifier.uri | https://rsuir-library.rsu.ac.th/handle/123456789/2440 | - |
| dc.description.sponsorship | Research Institute of Rangsit University | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Research Institute of Rangsit University | en_US |
| dc.subject | St. Chic Angel Project | en_US |
| dc.subject | Art and music | en_US |
| dc.subject | Art & language (Group) | en_US |
| dc.subject | Art, Modren -- 20th century | en_US |
| dc.title | Unabridged Research Research Project St. Chic Angel : An Interdisciplinary Work In Art, Music And Language | en_US |
| dc.type | Other | en_US |
| dc.description.other-abstract | “St. Chic Angel: an interdisciplinary work in art, music and language” is a qualitative research describing the concept of my new visual art project by focussing on its formative process through the relationship between music and language, as well as the supporting aesthetic. The research is a quest to find a creative process utilizing an interdisciplinary approach by combining the my background in Thai music, philosophy, and visual art to produce a creative work. The process of creating the work can be traced back to the Surrealist approach to language and collage, which resulted in the form of the project’s title and an original poem that controlled the structure of the work. The research demonstrates two concepts governing the rhythmic and formal structure of the Thai traditional music—the centonization and the hierarchical structure and notes the similarity to the structure of a written language. By utilizing the same structure in the form of a newly composed poem and mapping the result to visual art domain, the work reflects the integration of structural concepts of both written language and Thai music in a form of a new artwork series. Although structurally controlled by a logical system, the work nevertheless shows a tension between the systematic approach and the more intuitive one, belying the conflicting origins of the chaos, the subconscious favored by the Surrealists to achieve dream-like landscapes, and the rational approach of conceptual art where processes are as much important as results. | en_US |
| Appears in Collections: | Art-Research | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| PRINDA SETABUNDHU.pdf | 2.28 MB | Adobe PDF | View/Open |
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