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  4. CA-FTWD-M-Thesis
Please use this identifier to cite or link to this item: https://rsuir-library.rsu.ac.th/handle/123456789/2651
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dc.contributor.advisorSorapong Wongtheerathorn-
dc.contributor.authorXiaoyan Zhou-
dc.date.accessioned2024-11-19T07:31:34Z-
dc.date.available2024-11-19T07:31:34Z-
dc.date.issued2024-
dc.identifier.urihttps://rsuir-library.rsu.ac.th/handle/123456789/2651-
dc.descriptionThesis (M.Com.Arts. (Film and Television Writing and Directing)) -- Rangsit University, 2023en_US
dc.language.isootheren_US
dc.publisherRangsit Universityen_US
dc.subjectIee Chang-Dongen_US
dc.subjectWomen and literatureen_US
dc.subjectWomen in motion picturesen_US
dc.subjectMotion picture filmen_US
dc.titleThe portrayal of women in Iee Chang-Dong's filmsen_US
dc.typeThesisen_US
dc.description.other-abstractThe research aims 1) to study the portrayal of women in Lee Chang-dong's films and 2) to study the narrative in Lee Chang-dong's films. The research is qualitative research conducted by using textual analysis. The research employed purposive sampling, selecting 6 films directed by Lee Chang-dong from 1997 2018 as follows: 1) Green Fish (1997), 2) Peppermint Candy (1999), 3) Oasis (2002), 4) Secret Sunshine (2007), 5) Poetry (2010), and 6) Burning (2018). The research results are as follows: The portrayal of women in Lee Chang-dong's films revealed that 1) Sociology: the female characters are clearly characterized as being from the lower class, with fading family relationships and lacking family support, and being financially dependent on the male characters. 2) Physiology: they are clearly characterized by the fact that the female characters' beauty and grooming are for the purpose of pleasing the male characters, rather than for their own enjoyment. 3) Psychology: the female characters tend to be more traditional femininity and the new-age femininity. The narrative in Lee Chang-dong's films found that 1) Plot: Possessing a national, historical attitude, Lee Chang-dong records the trauma and mental anguish of the lower class of Korean. 2) Conflict: the films are characterized by character vs society, and character vs self. 3) Theme: the theme is a critique of the external environment and the depiction of people's emotionsen_US
dc.description.degree-nameMaster of Communication Artsen_US
dc.description.degree-levelMaster's Degreeen_US
dc.contributor.degree-disciplineFilm and Television Writing and Directingen_US
Appears in Collections:CA-FTWD-M-Thesis

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