1. RSUIR at Rangsit University
  2. RSU Digital Collection
  3. วิทยาลัยนิเทศศาสตร์ COLLEGE OF COMMUNICATION ARTS
  4. CA-FTWD-M-Thesis
Please use this identifier to cite or link to this item: https://rsuir-library.rsu.ac.th/handle/123456789/3140
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dc.contributor.advisorSorapong Wongtheerathorn-
dc.contributor.authorYuxin Zhang-
dc.date.accessioned2026-01-13T03:55:01Z-
dc.date.available2026-01-13T03:55:01Z-
dc.date.issued2024-
dc.identifier.urihttps://rsuir-library.rsu.ac.th/handle/123456789/3140-
dc.descriptionThesis (M.A. (Film and Television Writing and Directing)) -- Rangsit University, 2024en_US
dc.language.isoenen_US
dc.publisherRangsit University. Libraryen_US
dc.subjectComedy filmsen_US
dc.subjectMoving-picturesen_US
dc.subjectFilm criticismen_US
dc.titleThe narrative structure and film language of Xu Zheng's filmsen_US
dc.typeThesisen_US
dc.description.other-abstractThe research aims to study the narrative structure and film language of Xu Zheng’s films. This qualitative research analyses three films directed by Xu Zheng consisting of 1) Lost in Thailand, 2) Lost in Hong Kong, and 3) Lost in Russia. The results are as follows: The narrative structure of Xu Zheng’s films followed the three-act structure: Act I (exposition, inciting incident, and plot point one); Act II (rising action, midpoint, and plot point two); Act III (climax and resolution). The film language of Xu Zheng’s films showed the ideas of 1) lighting (key light, fill light, and back light), 2) colour (monochromatic, analogous, complementary, triadic, discordant, associative, and transitional), and 3) camera shot sizes (Extreme Close-up shot, close-up shot, medium shot, medium long shot, and long shot).en_US
dc.description.degree-nameMaster of Communication Artsen_US
dc.description.degree-levelMaster's Degreeen_US
dc.contributor.degree-disciplineFilm and Television Writing and Directingen_US
Appears in Collections:CA-FTWD-M-Thesis

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