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https://rsuir-library.rsu.ac.th/handle/123456789/3146Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Chalongrat Chermanchonlamark | - |
| dc.contributor.author | Liying Qiao | - |
| dc.date.accessioned | 2026-01-13T05:21:05Z | - |
| dc.date.available | 2026-01-13T05:21:05Z | - |
| dc.date.issued | 2025 | - |
| dc.identifier.uri | https://rsuir-library.rsu.ac.th/handle/123456789/3146 | - |
| dc.description | Thesis (M.A. (Film and Television Writing and Directing)) -- Rangsit University, 2024 | en_US |
| dc.language.iso | other | en_US |
| dc.publisher | Rangsit University. Library | en_US |
| dc.subject | Gangster films -- History and criticism | en_US |
| dc.subject | Motion pictures -- Hong Kong (China) | en_US |
| dc.subject | Hong Kong (China) -- Social conditions | en_US |
| dc.title | The analysis of Hong Kong gangster films directed by Johnnie To | en_US |
| dc.type | Thesis | en_US |
| dc.description.other-abstract | This study examines the narrative structure and film language of Hong Kong gangster films directed by Johnnie To, with a focus on how his works contribute to the evolution of the genre through distinct storytelling techniques. By analyzing five seminal films—The Mission (1999), PTU (2003), Election (2005), Election 2 (2006), and Exiled (2006)—this research identifies recurring patterns in Johnnie To’s directorial style and evaluates his contributions to Hong Kong films. Through qualitative textual analysis, this study examines two key aspects: the narrative structure encompassing character, plot, setting, conflict, and theme and the film language, including cinematography, lighting, color, sound, and editing. The findings suggest that Johnnie To’s gangster films deviate from traditional hero-centered storytelling, instead prioritizing ensemble narratives, visual symbolism, and a restrained, minimalist approach. His films portray power struggles and moral dilemmas not only through plot development but also through meticulously composed visuals and nuanced character interactions. This study offers a deeper insight into how Johnnie To’s films refine and expand the conventions of the Hong Kong gangster genre. By analyzing his use of spatial composition, narrative pacing, and visual storytelling, this research underscores his influence on both regional and global representations of the gangster film | en_US |
| dc.description.degree-name | Master of Communication Arts | en_US |
| dc.description.degree-level | Master's Degree | en_US |
| dc.contributor.degree-discipline | Film and Television Writing and Directing | en_US |
| Appears in Collections: | CA-FTWD-M-Thesis | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| LIYING QIAO.pdf | 2.49 MB | Adobe PDF | View/Open |
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