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https://rsuir-library.rsu.ac.th/handle/123456789/3140| Title: | The narrative structure and film language of Xu Zheng's films |
| Authors: | Yuxin Zhang |
| metadata.dc.contributor.advisor: | Sorapong Wongtheerathorn |
| Keywords: | Comedy films;Moving-pictures;Film criticism |
| Issue Date: | 2024 |
| Publisher: | Rangsit University. Library |
| metadata.dc.description.other-abstract: | The research aims to study the narrative structure and film language of Xu Zheng’s films. This qualitative research analyses three films directed by Xu Zheng consisting of 1) Lost in Thailand, 2) Lost in Hong Kong, and 3) Lost in Russia. The results are as follows: The narrative structure of Xu Zheng’s films followed the three-act structure: Act I (exposition, inciting incident, and plot point one); Act II (rising action, midpoint, and plot point two); Act III (climax and resolution). The film language of Xu Zheng’s films showed the ideas of 1) lighting (key light, fill light, and back light), 2) colour (monochromatic, analogous, complementary, triadic, discordant, associative, and transitional), and 3) camera shot sizes (Extreme Close-up shot, close-up shot, medium shot, medium long shot, and long shot). |
| Description: | Thesis (M.A. (Film and Television Writing and Directing)) -- Rangsit University, 2024 |
| metadata.dc.description.degree-name: | Master of Communication Arts |
| metadata.dc.description.degree-level: | Master's Degree |
| metadata.dc.contributor.degree-discipline: | Film and Television Writing and Directing |
| URI: | https://rsuir-library.rsu.ac.th/handle/123456789/3140 |
| metadata.dc.type: | Thesis |
| Appears in Collections: | CA-FTWD-M-Thesis |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| YUXIN ZHANG.pdf | 1.67 MB | Adobe PDF | View/Open |
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